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c. 1445 – May 17, 1510. Italian painter.

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Jean Urbain Guerin
Portrait of the King Charles X of France in his coronation robes

ID: 78277

Jean Urbain Guerin Portrait of the King Charles X of France in his coronation robes
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Jean Urbain Guerin Portrait of the King Charles X of France in his coronation robes


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Jean Urbain Guerin

French, 1760-1836  Related Paintings of Jean Urbain Guerin :. | The Three Ages of Man and Death | L-Interieur d un Restaurant | Kreuzigung Christi | The Young Ladies of the Banks of the Seine | Guidobaldo da Montefeltro |
Related Artists:
Master of the View of st Gudule
active in Brussels 1470-1490
Sir Lawrence Alma-Tadema,OM.RA,RWS
1836-1912
Domenico Fetti
Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.






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